When on first glance we observe some of the public installations of Arne Quinze (Belgium, 1971) such as, for example, The Sequence (Brussels, 2008), Camille (Rouen, 2010) or Red Beacon (Shanghai, 2010), one of the initial ideas that persists is that these pergolas he presents in streets, gardens and on bridges constitute a kind of impressionism which at first is difficult to pin down.
#camille #citieslikeopenairmuseums
After many new installations and exhibitions globally during 2018, 2019 will again be extremely...
'My Secret Garden — Valencia' presents a series of six public sculptures that enter into dialogue...
It was precisely the observation of colours the moment that Quinze's wildflower garden started to...