Quote by Pedro Alberto Cruz

When on first glance we observe some of the public installations of Arne Quinze (Belgium, 1971) such as, for example, The Sequence (Brussels, 2008), Camille (Rouen, 2010) or Red Beacon (Shanghai, 2010), one of the initial ideas that persists is that these pergolas he presents in streets, gardens and on bridges constitute a kind of impressionism which at first is difficult to pin down.

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