When on first glance we observe some of the public installations of Arne Quinze (Belgium, 1971) such as, for example, The Sequence (Brussels, 2008), Camille (Rouen, 2010) or Red Beacon (Shanghai, 2010), one of the initial ideas that persists is that these pergolas he presents in streets, gardens and on bridges constitute a kind of impressionism which at first is difficult to pin down.
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Strelitzia flowers stand out in both expressive form ànd expressive colour. Having such a spiky...
Miriam Atienza, Director of the City of Arts & Sciences Museum, and Arne Quinze have a talk about...
Over the past few days, Arne Quinze has hidden himself again in the metalworking studio to...